Archive for toshiaki toyoda
For those in New York of the 日本 persuasion, the 4 July holiday has been a mere sidenote. The main events have been courtesy of this year’s New York Asian Film Festival (NYAFF) and Japan Cuts. These sacred days of summer have offered long-awaited premiers of films still fresh off the reels in Japan, as well as rare opportunities to see The Best of Unreleased Naughties on the big screen. Spring may have had it’s cherry blossoms, but NYCJapan is in full bloom.
A prize moment for devotees of cult films Aoi Haru and 9 Souls was the guest appearance of director Toshiaki Toyoda, who attended both screenings of his comeback film Blood of Rebirth 「蘇りの血」 for the film’s introduction and Q&A session afterward.
Saturday’s New York premier was akin to greeting a lost hero’s return for the packed audience, who applauded and cheered as he entered the stage doors. While almost all would have been acquainted with his very public arrest in 2005 – and the tarnishing of Hanging Garden‘s release – Toyoda’s life after prison until the announcement of Rebirth had remained a mystery. The movie itself only proved to deepen the mystery even more.
Might seem a strange choice of tagline for a director with a police record for possessing stimulants. However, fans of Toshiaki Toyoda will know exactly what I mean.
Toyoda is a director who brings to mind slow-motion, didactic scene jumps, and achingly real-time story arcs. There is no falling back on ‘Japaneseness’ to snare either native or foreign markets, no glorification of the mundane, and he restrains from that common desire of directors to make his presence known on the screen. The man knows himself, knows his work, and simply sticks to it.
Hence the slow burn, a result of complete artistic confidence. His catalog errs on the side of quality rather than quantity, with just six films since he began writing and directing his own work in 1998. Personally, I have so far only seen Aoi Haru (Blue Spring) and 9 Souls, and read fan reviews of the others.