Archive for premier
warning: this post contains spoilers (labelled)
“A horror movie disguised as a teenage slacker flick”
Such was director Isao Yukisada’s summation of his 2009 film Parade「パレード」. Speaking during a Q&A at New York’s Japan Society on July 10, Yukisada was surprisingly talkative and candid considering the deeply subversive film he had given to his audience.
Of course, there were likely many who had either sussed out the mystery earlier on, or simply read Shuichi Yoshida’s 2002 novel (though the collective gasp indicated that a fair few had not). Yet for a film that manages to successfully be two genres at once, and focuses on 5 different individuals, the ending loses none of it’s potency.
For those in New York of the 日本 persuasion, the 4 July holiday has been a mere sidenote. The main events have been courtesy of this year’s New York Asian Film Festival (NYAFF) and Japan Cuts. These sacred days of summer have offered long-awaited premiers of films still fresh off the reels in Japan, as well as rare opportunities to see The Best of Unreleased Naughties on the big screen. Spring may have had it’s cherry blossoms, but NYCJapan is in full bloom.
A prize moment for devotees of cult films Aoi Haru and 9 Souls was the guest appearance of director Toshiaki Toyoda, who attended both screenings of his comeback film Blood of Rebirth 「蘇りの血」 for the film’s introduction and Q&A session afterward.
Saturday’s New York premier was akin to greeting a lost hero’s return for the packed audience, who applauded and cheered as he entered the stage doors. While almost all would have been acquainted with his very public arrest in 2005 – and the tarnishing of Hanging Garden‘s release – Toyoda’s life after prison until the announcement of Rebirth had remained a mystery. The movie itself only proved to deepen the mystery even more.