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The Day I Embarrassed Tomorowo Taguchi. [video]

I didn’t realise there was video of this until just now. Looking through the NY Japan Society’s Youtube channel (check it out for some great interviews and their new show), I noticed some of the Q&A’s from 2010’s JapanCuts festival.

Any readers who saw my original post on this Q&A will recognise my embarrassing question (at about 5:30 in the video below). In my writeup, I had to combine his answer to me with a few others just to make it fit into context. He had already talked about his friendship with Jun Miura and the kind of boys-night-out that he usually had with his mates. This roughly gave a clue into how my question’s response came about.

Watching this back, I don’t feel quite so bad because Taguchi is clearly smiling and joking. At the time – as my sister was silently dying of laughter next to me – my heart was slowly sinking into my stomach, thinking I’d come across as…well, I didn’t quite know what he thought!

Two things I love about this response:

1. The way that Taguchi prepares himself by wiggling his eyebrows suggestively.

2. Poor Daichi Watanabe not hearing my original question, and absolutely cracking up at Taguchi’s answer.

Did my question make sense?? I didn’t mean to suggest…uhm…not that I…what?

Let me just say that I am all for male friends kissing and cuddling in bars, even if they don’t go home and shag each other! That is all.

‘Parade’ @Japan Society w/Isao Yukisada and Tatsuya Fujiwara

warning: this post contains spoilers (labelled)

“A horror movie disguised as a teenage slacker flick”

Such was director Isao Yukisada’s summation of his 2009 film Parade「パレード」. Speaking during a Q&A at New York’s Japan Society on July 10, Yukisada was surprisingly talkative and candid considering the deeply subversive film he had given to his audience.

Of course, there were likely many who had either sussed out the mystery earlier on, or simply read Shuichi Yoshida’s 2002 novel (though the collective gasp indicated that a fair few had not). Yet for a film that manages to successfully be two genres at once, and focuses on 5 different individuals, the ending loses none of it’s potency.

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